What to Eat in Nashua

Leaving the house is a rare event for Nashuans, but in case you decide to try it, here’s a short guide to eating in the city.

Hipp hipp hurra! Konstnärsfest på Skagen - Peder Severin Krøyer

Nashua residents drinking. This is foreshadowing.

Breakfast & Bakeries

Every day starts with coffee. If you live in New Hampshire and don’t start your day with coffee, Jet Blue has $49 flights to Florida and you’re welcome to leave any time.

Riverwalk Cafe has the best coffee in Nashua, roasted in house, and is the correct place to start your morning. Entering the cafe places you in a warm and bright blue room, with food coming out of the kitchen while coffee is roasted next to you. Walk past this scene and enter a darker and larger room with walls made of bricks and a wall of alcohol, which you mentally bookmark for later. Or now. There’s no shame in the mimosa. Light filters in from outside, from the ceiling, from lights inside of bottles. Forks dangling upside-down next to your head while you order. You wonder if the decor is intended to represent the confusion of waking up. Order your coffee and go sit in the blue room, next to a large framed print of John Lennon screaming at a piano.

For an even more psychedelic coffee experience, ask for a Hungarian. Never get one to go.

The diner experience is to be had at The City Room. The menu is neither special nor interesting and the coffee is bad, but the staff are very friendly and you can ask for anything. If you eat here, go to Riverwalk afterwards for coffee.

Bagel Alley is your neighborhood drug dealer for oversized bagels. Just like your other dealers, they only work in cash. They sell a few other things, but the inside silently screams “do not buy anything here but bagels.” New Yorkers will be disappointed, obviously, because they’re disappointed with everything.

Pressed in South Nashua has a very industrial feel, which I don’t like, but the highly reliable service justifies the look. The food is probably the most interesting in Nashua for breakfast and lunch. Try the Medusa or the Shakshuka.

Jajabelles are the masters of everything sweet, right down to the people themselves. They also have some savory pastries like Spanakopita. They do not have pastitsio, no matter how many times you ask. They do holiday ordering if you want to get 100 cookies or a plate of baklava for your family.

There are zero good bread bakeries in Nashua. The Dutch Epicure in Amherst is your best bet. Wednesday only they bake anadama bread (sourdough with cornmeal and molasses). Buckley’s Bakery in Merrimack also has good bread.

For really interesting breakfast spots, you’ll have to leave Nashua:

  • Riverhouse in Milford has some great creations. (Afterwards go to the excellent Union Coffee for coffee)
  • Hilltop Cafe is in an old farm-house in Wilton and especially nice in the summertime
  • Black Forest Cafe & Bakery has a good brunch on Sundays only. Also the best hot chocolate I’ve ever had, complete with a whiskey-cube-sized marshmallow.


The pickings for quality dining in Nashua are slim, but there are more good dinner options than breakfast options.

MT’s Local Kitchen & Wine Bar is the obvious choice for “New American” or Ameri-French food. It’s owned by Michael Buckley, who also owns Surf across the street (and a second Surf in Portsmouth), Buckley’s Great Steaks in Merrimack, and Buckley’s Bakery and Cafe in Merrimack.

All of Michael Buckley’s restaurants are worth trying, though in recent years MT’s is guilty of simplifying their menu to the point of boredom. (Also, Buckley, Giard, if you’re reading this, why did you drop the glorious pesto fries for these dry-mouth inducing “cheddar dusted” fries? And why would you ever describe cheese as something you can dust with.)

At both MT’s and Buckey’s the burgers are made from steak trimmings are are the best in the area. At MT’s get the Tournedos. At Buckley’s, split the French onion soup with your lover and get the little filet au poivre. Both places also have daily specials which are usually the most interesting options. Any lamb option that comes up is a good choice.

Stella Blu is the other good option for fancy food at night. Lots of small plates to choose from, so bring a friend or two and split several dishes. The menu is varied, the service is quick, the cocktails are good. It’s not on their drink list, but ask for a wagon wheel: Woodford Reserve bourbon, amaretto, peach schnapps.

The menu at Pig Tale looks promising but the the restaurant does not play the part. The atmosphere radiates a feeling of disbelief, as if you’re not really in a restaurant, but on a stage with actors where everyone is pretending to be in a restaurant. It’s hard to describe. Anyway I like their pizzas, but I’ve also had the worst poutine of my life there. If you want sublime poutine you have to drive 2 hours to Duckfat in Portland. Maybe Pig Tale is worth more exploration, I don’t know.

For Greek and Italian you have Giorgios (get the arancini, gyro appetizer, pasta specials) and Cucina Toscana (modest Italian). Do not go to Fratellos Italian Grille, it is pseudo-Italian rubbish. Besides “grill” in Italian is “griglia,” so quit with the pretentious spelling.

For really good and interesting Italian you’ll have to leave Nashua. Tuscan Kitchen is half an hour away and is also one of the few places to buy decent salami. (If anyone knows another place to get great fermented meats nearby, I’m all ears). Filho’s Cucina in Groton is also very good Italian.

For seafood you have Surf, obviously, but also Sushi options: Takumi is fancy, Yoshimama is not. Both are good. Sushi anywhere else in Nashua is not advised.

You might be tempted to go to the Cape for fancy seafood, but this is a mistake, because then you’d be on the Cape: Surrounded by idle rich people who have declared their lives pointless and set up camp on an uninviting peninsula, soaking themselves in sun, apathy, and liquor. Portland Maine is always the better pick.

(Tip for New England newcomers: The proper way to eat seafood is less than a mile from the coast in a seedy shack that just says “Clams” and the sign doesn’t light up. Maybe there’s a string of buoys outside on a rope.)

No Frills

We can’t be bourgeois all of the time, and while Nashua may or may not do “not fancy” well, they do it often.

Main Street Gyro is a go to place for gyros, obviously. Try the bifteki. If you’re starving, get the side of feta too. It is exactly what it says it is. Similar and under-rated Lebanese food (shawarma, falafel, etc) can be found at Cedars Cafe, which is sadly not downtown or I’d go there all the time.

Have you ever been famished and desperately in need of energy, so you eat food, but after eating the food you feel slightly closer to your death instead of further away? That’s Riverside Barbecue.

California Burrito looks promising but, confession time, I’ve still never been there. Trusted friends call it a surprisingly good and more authentic version of Chipotle. The only other Mexican I’d step into in Nashua is El Colima, which is not an endorsement, I’m just saying everything else is worse. Go to El Rincon in Manchester if you want Mexican food.

For good pizza you’ll have to stray outside of the city slightly. Angela’s Coal-fired Pizza in Tyngsboro is very good. MT’s and Giorgios (Merrimack and Milford) make great pizza too.

The Peddler’s Daughter is your typical Irish pub and probably shows up on Google Maps with tags like “popular with locals”, for whatever that’s worth. The vibe is comfy and there’s no hope of getting a small meal. It sounds like a paradox, but Peddlers has both the largest and the worst beer list. Their liquor options aren’t impressive either, I don’t think they’ve ever stocked a bottle of wine that they paid more than $5 for. One time in a whiskey mood and keeping my expectations low, I asked for Wild Turkey. The bartender looked and said “We have Old Crow.” My college degree allowed me to observe that these are both whiskeys named after birds, but drinking confirmed other differences.

The Nashua Garden sells sandwiches and beer. The place appears run-down from the outside, and from the inside too for that matter, but they really do care about the product they’re selling. It’s one of the few places to get a decent meal late at night in Nashua, and can be fairly quiet (downstairs) late into the night. They clean their tap lines regularly, and I want to say they have a good beer selection but I swear 90% of them are always IPAs.

Codex, Stella, MT’s, and Buckleys are other good places to drink. Codex and Stella do mostly cocktails, MT’s has great wine with an OK spirits selection, and Buckley’s has both a fantastic wine and whiskey menu.

If you’re a true drink aficionado you could join one of the many secret liquor tasting clubs, if only you knew the password. No I won’t tell you a password. Unless you’re part of the “old Hollis men who drink nice wine” club, then maybe we can exchange passwords.


I have categorized food as either fancy, not fancy, or Asian. This is not my fault. For Americans, “Asian food” typically represents the fanciness of far-group exotification with the completely unfair expectation of no-frills price points. (Sushi excepted, but I already covered that.) I blame my countrymen for largely ruining Thai and Chinese food with the “it has to be cheap” expectation.

Takumi is good Japanese. Yoshimama has good sushi as I said before, and they do have ramen, but the ramen quality has declined. It used to be a great cut of rare beef and now you are served slivers of something gray. If you’ve never been to Takumi before, try sharing several appetizers with friends: beef tataki, edamame, and tempura.

The only good Chinese in the city is Shanghai Osaka. Their menu has an “Authentic Chinese” section and they usually have a second menu with more authentic chinese specials. If you like spicy food, try the mapo or sirloin in chef’s chili sauce. The eggplant is also good.

Fantastic Sichuan Chinese food can be had “nearby” in Billerica, at Sichuan Gourmet. The correct way to eat real Chinese food is to bring lots of friends, order lots of dishes, and share everything. Start with: dan dan noodles, bamboo in spicy sauce, wontons in chili oil, basil eggplant, baby bok choy, dry shredded beef with chili, and ma la lamb.

Shira Kiku has great Korean staples (and ramen) and the staff are super friendly. If you’ve never had Korean before, get the stone pot bibimbap, preferably with beef. Don’t be afraid to ask for help with the menu.

Giant of Siam on main street is your average Thai place and has been a Nashua staple since I’ve been alive. The prices are cheap and the owners are super nice. Sweet Ginger in Merrimack has more interesting options, but the atmosphere seems to scream “I’m in a strip mall between a liquor store and a highway” (you are). All of the duck options at Sweet Ginger are good.

For really good Thai you’ll have to travel all the way to Camden Maine (Long Grain).

Nashua has three Indian restaurants: India Palace and Taj India, which have dishes characteristic of north Indian food: Chicken tikka masala, lamb, lots of cream. Both are good. If you’ve never had (north) Indian before, order chicken tikka, saag paneer, and garlic naan. For south Indian there’s Udupi: Vegetarian only, dosas, some very spicy options, and (last I went) the best buffet out of the three.

Food at the Pheasant Lane Mall

Have some self-respect and stay hungry.

The Sublime

Sadly, nothing. I’ve tried to make this not very negative, which is why I’ve avoided mentioning a lot of places. Fact is the interesting food scene in Nashua is non-existent and seekers of truly transcendent meals must looks elsewhere. Even the decent options are under-used: MT’s doesn’t bother to open for lunch any more. I’m not sure who to blame for this, but the presence of more banks than restaurants might be a tell. At least in the case of Saffron Bistro which lost out to Ameriprise, which is kind of like a bank, except they specialize in scamming old people.

Originally I considered writing What to Eat near Nashua, but in doing so I’d hardly mention anything actually inside Nashua, so it was too depressing.

Rest in Peace, Cooking Matters and Saffron Bistro.

How to Change Oneself

It’s been one month since the new year, and given the sheer number of people who abandon their resolutions, I think it’s a good time for a “resolution check-up”.

It’s good to have an introspective reminder that we should not let our goals slip by us easily, no matter how busy life gets before and after the new year. Are you where you want to be?

To help with your resolutions I want to share a list I’ve had since college titled How to Change Oneself. It contains a number of methods to help create and change behaviors, originally given to me in college by one of my professors[1], for nurturing traits and motivations that one wishes to develop. I hope they help you as much as they’ve helped me.

How to Change Oneself

Role Play (Fake It)

After identifying the behaviors you want to have, act as if you had them. Act the way that people with these habits tend to act.

It has been found, somewhat paradoxically, that inner psychological states and traits are best nurtured by outside behavior, not (solely) by internal commitment to develop them.

I hesitate to use the phrase “fake it” but it’s very common in this vein of advice (“Fake it ‘till you make it”). This is off-putting to some people, who deride the advice as engendering a counterfeit or phony personality. It’s important to remember you aren’t acting a certain way to be someone you can’t be. You’re acting a certain way to be the person you want to be in the near future.

You’re role-playing a future you, and it’s an important skill that people subconsciously practice their entire lives. Just as a young person cannot be called an adult until they act like an adult, you cannot have a behavior or trait until you first act like you do.

Be careful not to confuse actions that are habits with actions that are the result of habits. As the tech aphorism goes: acting like Steve Jobs does not make you any more like Steve Jobs, but working like Steve Jobs might.

Create Responsibility and Commit Publicly

Thanks to the social media firehose, this is easier than ever. Publicly commit to your resolution in front of people whose opinion matters to you — people who you’d hate to let down. Find others who will support and reinforce you in your attempts and goals.

Tell yourself that you are responsible for the decision and accountable for having made it, and the social powers of pride (and fear of shame!) will nudge you along.


Resolutions are made because the habits or goals look hard, and achieving them may be stressful. Whenever you succeed it’s important to reward yourself in your habits

Your rewards should not imitate the stereotypically comical “undo-button” style, such as gorging yourself on ice cream and fried foods after a few days of eating well.

Instead, you should try to think up unrelated awards, such as only watching the next episode of your favorite show after you’ve gone to the gym for the day. Turning this normal pleasure into a reward takes relatively little willpower, (in the worst-case you just don’t watch a show), and allows you to feel good for reinforcing something difficult you wanted to do.

Consider carefully all of the normal, small pleasures that you were going to do anyway that you can delay and schedule around (watching a show, playing a game, shopping, coffee, the beach, etc), and delay them until after you’ve done a resolution task. You will still do all these things, and look forward to them all the more while reinforcing your goals all the while.


Incremental goals are important. Small steps are the least daunting and the easiest to try. Generally, the more you can break down tasks into small chunks, the better off you will be.

A good example that uses both self-reinforcement and gradualism is the time management technique known as pomodoro, in which tasks are structured into short time blocks with planned breaks as rewards.

Find Like-Minded People

Start making acquaintances and hanging out with the sort of people you want to be like. Go to meetups in your area, and talk publicly about any new interests to see if any of your friends might share the same.

Role models are typically only talked about in the context of kids, but they’re important for everyone. Being around like-minded people constantly supplies one with examples that start working at the subconscious level, and provides a sense of normalcy for a lifestyle. Most of all it provides constant reinforcement for role-playing.

That’s it. No magic tricks, just several interconnected techniques to stay mindful of. I hope you find them useful. I’ll leave you with a bit of Longfellow[2]:

We have not wings, we cannot soar;
But we have feet to scale and climb
By slow degrees, by more and more,
The cloudy summits of our time.

The mighty pyramids of stone
That wedge-like cleave the desert airs,
When nearer seen, and better known,
Are but gigantic flights of stairs.

The distant mountains, that uprear
Their solid bastions to the skies,
Are crossed by pathways, that appear
As we to higher levels rise.

The heights by great men reached and kept
Were not attained by sudden flight,
But they, while their companions slept,
Were toiling upward in the night.

[1] Bill Puka, who holds a somewhat rare dual PhD in Philosophy and Psychology from Harvard. He has been a constant source of inspiration and thoughtfulness in my life.

[2] From The Ladder of St. Augustine, by Henry Wadsworth Longfellow (poet most famous for The Midnight Ride of Paul Revere).

Standard advice

Be positive.

Listen for 90% of a conversation and people will find you interesting.

Learn to ask engaging questions and let others do the answering. Don’t just ask people about facts, ask for their opinions too. Don’t be an interrogator. Be curious. Where were you before you were here?

Never criticize, condemn, or complain. Praise people a lot. Learn to spot good looks and compliment them.

Clean yourself up. Don’t skip showers. Care about how your hands and your hair look. Care about clothes. Care about as much as possible. Care about sports, care about elections, care about cars, care about how the sidewalk looks. Care about Rwanda and the Greek debt crisis. Care about backgammon and the nature of games. Never, ever expect anyone else to care.

Find out what they do care about and ask them about it. Try to care about that.

Don’t make every joke you could possibly make. A careful or clever observation will always be a better utterance than “that’s what she said.” Don’t use sarcasm. Strive for sincerity.

Don’t say every sentence that comes to your mind. Think signal to noise ratio. Say just enough to be interesting.

Don’t tell stories that aggrandize yourself. Never tell anyone how good you are at anything. I don’t care if you’re the best billiards player in the world. You can say “I like billiards” and that’s it. I’m serious. Never tell anyone how good you are. If you’re good, they’ll tell you. You can always let them see you in action, but never show off. Never expect a crowd. Be modest.

The person who says they like bowling and then bowls six strikes is more impressive than a person who claims to be amazing at bowling and then bowls ten strikes. Expectations mean a lot.

Understand more about where you live. Take your bike all over town. Ride to the end of the line. Walk around on foot. Look up reviews on every single restaurant even if you never go to them. Read the menus. Dine alone. Offer to go to breakfast together. Visit the city. Visit the country. Visit the mountains.

Spend a lot of time at the ocean-side. Run around on the beach like an idiot. Run around in the waves. Swim until you’ve dreamed too much about what’s below the ocean. Build a trench, be a soldier. Build castles, be a king. Watch how easily the castle fades away if you don’t protect it. Think of your investments, metaphorical or not. Remember Borges:

“Nothing is built on stone; all is built on sand, but we must build as if the sand were stone.”

Many things wash away naturally, you should allow the same. Forgive often.

Realize that you gain nothing from being shy. That doesn’t mean you have to start making speeches in front of crowds. It means you have to be as open and honest as you plainly can be. There’s nothing wrong with emotions and there’s nothing wrong with telling people how you feel about something. No one can ever contest how you feel. Being an open book may sound like a vulnerable position to be in, but it is the exact opposite.

Spend money on experiences and not things. Read more books. Have what she’s having. Make things, always make things, physical things, even if its just paper cranes and home-cooked meals. Create and share. Understand that most people won’t give a damn. That’s okay. Always create. Enjoy the beauty of it.

Move to a not-suburb. Join meetup.com or grubwithus.com or whatever is in the paper. Knitting clubs aren’t about knitting, they are about socializing. Take pottery/archery/tennis/anything classes. Join a club soccer team. Visit the same cafe at least once a week. Jog through the park. Smile at everyone. Literally put yourself out there. Be discover-able. Be friendly.

Be positive.

In short, remember: Smile, eyes, build, butt. Be happy. Be sincere. Take care of yourself. Dress well.

A Gentle Introduction to Making HTML5 Canvas Interactive

I wrote a book on HTML5, including three chapters on Canvas! Buy it here.

This is a big overhaul of one of my tutorials on making and moving shapes on an HTML5 Canvas. This new tutorial is vastly cleaner than my old one, but if you still want to see that one or are looking for the concept of a “ghost context” you can find that one here.

This tutorial will show you how to create a simple data structure for shapes on an HTML5 canvas and how to have them be selectable. The finished canvas will look like this:

This text is displayed if your browser does not support HTML5 Canvas.

Click to drag the shapes. Double click to add a new shape.

We’ll be going over a few things that are essential to interactive apps such as games (drawing loop, hit testing), and in later tutorials I will probably turn this example into a small game of some kind. The code also contains simple examples of using JavaScript prototypes and closures. I will try to accommodate JavaScript beginners but this introduction does expect at least a rudimentary understanding of JS. Not every piece of code is explained in the text, but almost every piece of code is thoroughly commented!

The HTML5 Canvas

A Canvas is made by using the <canvas> tag in HTML:

<canvas id="canvas" width="400" height="300">
    This text is displayed if your browser does not support HTML5 Canvas.

A canvas isn’t smart: it’s just a place for drawing pixels. If you ask it to draw something it will execute the drawing command and then immediately forget everything about what it has just drawn. This is sometimes referred to as an immediate drawing surface, as contrasted with SVG as a retained drawing surface, since SVG keeps a reference to everything drawn. Because we have no such references, we have to keep track ourselves of all the things we want to draw (and re-draw) each frame.

Canvas also has no built-in way of dealing with animation. If you want to make something that you’ve drawn move, you have to clear the entire canvas and redraw all of the objects with one or more of them in a new location. And you have to do it often, of course, if you want a semblance of animation or motion.

So we’ll need to add:

  1. Code for keeping track of objects
  2. Code for keeping track of canvas state
  3. Code for mouse events
  4. Code for drawing the objects as they are made and move around

The things we draw

To keep things simple for this example we will start with a Shape class to represent rectangular objects.

JavaScript doesn’t technically have classes, but that isn’t a problem because JavaScript programmers are very good at playing pretend. Functionally (well, for our example) we are going to have a Shape class and create Shape instances with it. What we are really doing is defining a function named Shape and adding functions to Shape’s prototype. You can make new instances of the function Shape and all instances will share the functions defined on Shape’s prototype.

If you’ve never encountered prototypes in JavaScript before or if the above sounds confusing to you, I highly recommend reading Crockford’s JavaScript: The Good Parts. The book is an intermediate overview of JavaScript that gives a good understanding of why programmers choose to create objects in different ways, why certain conventions are frowned upon, and just what makes JavaScript so different.

Here’s our Shape constructor and one of the two prototype methods, which are comparable to a class instance methods:

// Constructor for Shape objects to hold data for all drawn objects.
// For now they will just be defined as rectangles.
function Shape(x, y, w, h, fill) {
  // This is a very simple and unsafe constructor. 
  // All we're doing is checking if the values exist.
  // "x || 0" just means "if there is a value for x, use that. Otherwise use 0."
  this.x = x || 0;
  this.y = y || 0;
  this.w = w || 1;
  this.h = h || 1;
  this.fill = fill || '#AAAAAA';

// Draws this shape to a given context
Shape.prototype.draw = function(ctx) {
  ctx.fillStyle = this.fill;
  ctx.fillRect(this.x, this.y, this.w, this.h);

They are pretty self-explanatory. The shape constructor has “defaults” if you give it no arguments, and calling draw on a shape will set the fill and draw a rectangle on the given context corresponding to the measurements of the Shape.

Keeping track of canvas state

We’re going to have a second class (function) called CanvasState. We’re only going to make one instance of this function and it will hold all of the state in this tutorial that is not associated with Shapes themselves.

CanvasState is going to foremost need a reference to the Canvas and a few other field for convenience. We’re also going to compute and save the border and padding (if there is any) so that we can get accurate mouse coordinates.

In the CanvasState constructor we will also have a collection of state relating to the objects on the canvas and the current status of dragging. We’ll make an array of shapes to keep track of whats been drawn so far, a flag “dragging” that will be true while we are dragging, a field to keep track of which object is selected and a “valid” flag that will be set to false will cause the Canvas to clear everything and redraw.

I’m going to add a bunch of variables for keeping track of the drawing and mouse state. I already added shapes[] to keep track of each object, but we’ll also need a var for the canvas, the canvas’ 2d context (where all drawing is done), whether the mouse is dragging, width/height of the canvas, and so on.

function CanvasState(canvas) {
  // ...

  // I removed some setup code to save space
  // See the full source at the end

  // **** Keep track of state! ****
  this.valid = false; // when set to true, the canvas will redraw everything
  this.shapes = [];  // the collection of things to be drawn
  this.dragging = false; // Keep track of when we are dragging
  // the current selected object.
  // In the future we could turn this into an array for multiple selection
  this.selection = null;
  this.dragoffx = 0; // See mousedown and mousemove events for explanation
  this.dragoffy = 0;

Mouse events

We’ll add events for mousedown, mouseup, and mousemove that will control when an object starts and stops dragging. We’ll also disable the selectstart event, which stops double-clicking on canvas from accidentally selecting text on the page. Finally we’ll add a double-click (dblclick) event that will create a new Shape and add it to the CanvasState’s list of shapes.

The mousedown event begins by calling getMouse on our CanvasState to return the x and y position of the mouse. We then iterate through the list of Shapes to see if any of them contain the mouse position. We go through them backwards because they are drawn forwards, and we want to select the one that appears topmost, so we must find the potential shape that was drawn last.

If we find a shape then we want to select it. We save the offset, save a reference to that shape as the CanvasState’s this.selection, set this.dragging to true and set the this.valid flag to false. Already we’ve used most of our state! Finally if we didn’t find any objects we need to see if there was a selection saved from last time. Since we clicked on nothing, we obviously didn’t click on the already-selected object, so we want to “deselect” and clear the selection reference. Clearing the selection means we will have to clear the canvas and redraw everything without the selection ring, so we set the valid flag to false.

  // ...
  // (We are still in the CanvasState constructor)

  // This is an example of a closure!
  // Right here "this" means the CanvasState. But we are making events on the Canvas itself,
  // and when the events are fired on the canvas the variable "this" is going to mean the canvas!
  // Since we still want to use this particular CanvasState in the events we have to save a reference to it.
  // This is our reference!
  var myState = this;
  //fixes a problem where double clicking causes text to get selected on the canvas
  canvas.addEventListener('selectstart', function(e) { e.preventDefault(); return false; }, false);
  // Up, down, and move are for dragging
  canvas.addEventListener('mousedown', function(e) {
    var mouse = myState.getMouse(e);
    var mx = mouse.x;
    var my = mouse.y;
    var shapes = myState.shapes;
    var l = shapes.length;
    for (var i = l-1; i >= 0; i--) {
      if (shapes[i].contains(mx, my)) {
        var mySel = shapes[i];
        // Keep track of where in the object we clicked
        // so we can move it smoothly (see mousemove)
        myState.dragoffx = mx - mySel.x;
        myState.dragoffy = my - mySel.y;
        myState.dragging = true;
        myState.selection = mySel;
        myState.valid = false;
    // havent returned means we have failed to select anything.
    // If there was an object selected, we deselect it
    if (myState.selection) {
      myState.selection = null;
      myState.valid = false; // Need to clear the old selection border
  }, true);

The mousemove event checks to see if we have set the dragging flag to true. If we have it gets the current mouse positon and moves the selected object to that position, remembering the offset of where we were grabbing it. If the dragging flag is false the mousemove event does nothing.

  canvas.addEventListener('mousemove', function(e) {
    if (myState.dragging){
      var mouse = myState.getMouse(e);
      // We don't want to drag the object by its top-left corner,
      // we want to drag from where we clicked.
      // Thats why we saved the offset and use it here
      myState.selection.x = mouse.x - myState.dragoffx;
      myState.selection.y = mouse.y - myState.dragoffy;   
      myState.valid = false; // Something's dragging so we must redraw
  }, true);

The mouseup event is simple, all it has to do is update the CanvasState so that we are no longer dragging! So once you lift the mouse, the mousemove event is back to doing nothing.

canvas.addEventListener('mouseup', function(e) {
    myState.dragging = false;
  }, true);

The dblclick event we’ll use to add more Shapes to our canvas. It calls addShape on the CanvasState with a new instance of Shape. all addShape does is add the argument to the list of Shapes in the CanvasState.

// double click for making new Shapes
  canvas.addEventListener('dblclick', function(e) {
    var mouse = myState.getMouse(e);
    myState.addShape(new Shape(mouse.x - 10, mouse.y - 10, 20, 20,
  }, true);

There are a few options I implemented, what the selection ring looks like and how often we redraw. setInterval simply calls our CanvasState’s draw method. Our interval of 30 means that we call the draw method every 30 milliseconds.

// **** Options! ****
  this.selectionColor = '#CC0000';
  this.selectionWidth = 2;  
  this.interval = 30;
  setInterval(function() { myState.draw(); }, myState.interval);


Now we’re set up to draw every 30 milliseconds, which will allow us to continuously update the canvas so it appears like the shapes we drag are smoothly moving around. However, drawing doesn’t just mean drawing the shapes over and over; we also have to clear the canvas on every draw. If we don’t clear it, dragging will look like the shape is making a solid line because none of the old shape-positions will go away.

Because of this, we clear the entire canvas before each Draw frame. This can get expensive, and we only want to draw if something has actually changed within our framework, which is why we have the “valid” flag in our CanvasState.

After everything is drawn the draw method will set the valid flag to true. Then, once we do something like adding a new Shape or trying to drag a Shape, the state will get invalidated and draw() will clear, redraw all objects, and set the valid flag again.

// While draw is called as often as the INTERVAL variable demands,
// It only ever does something if the canvas gets invalidated by our code
CanvasState.prototype.draw = function() {
  // if our state is invalid, redraw and validate!
  if (!this.valid) {
    var ctx = this.ctx;
    var shapes = this.shapes;
    // ** Add stuff you want drawn in the background all the time here **
    // draw all shapes
    var l = shapes.length;
    for (var i = 0; i < l; i++) {
      var shape = shapes[i];
      // We can skip the drawing of elements that have moved off the screen:
      if (shape.x > this.width || shape.y > this.height ||
          shape.x + shape.w < 0 || shape.y + shape.h < 0) continue;
    // draw selection
    // right now this is just a stroke along the edge of the selected Shape
    if (this.selection != null) {
      ctx.strokeStyle = this.selectionColor;
      ctx.lineWidth = this.selectionWidth;
      var mySel = this.selection;
    // ** Add stuff you want drawn on top all the time here **
    this.valid = true;

We go through all of shapes[] and draw each one in order. This will give the nice appearance of later shapes looking as if they are on top of earlier shapes. After all the shapes are drawn, a selection handle (if there is a selection) gets drawn around the shape that this.selection references.

If you wanted a background (like a city) or a foreground (like clouds), one way to add them is to put them before or after the main two drawing bits. There are often better ways though, like using multiple canvases or a CSS background-image, but we won’t go over that here.

Getting mouse coordinates on Canvas

Getting good mouse coordinates is a little tricky on Canvas. You could use offsetX/Y and LayerX/Y, but LayerX/Y is deprecated in webkit (Chrome and Safari) and Firefox does not have offsetX/Y.

The most bulletproof way to get the correct mouse position is shown below. You have to walk up the tree adding the offsets together. Then you must add any padding or border to the offset. Finally, to fix coordinate problems when you have fixed-position elements on the page (like the wordpress admin bar or a stumbleupon bar) you must add the <html>’s offsetTop and offsetLeft.

Then you simply subtract that offset from the e.pageX/Y values and you’ll get perfect coordinates in almost every possible situation.

// Creates an object with x and y defined,
// set to the mouse position relative to the state's canvas
// If you wanna be super-correct this can be tricky,
// we have to worry about padding and borders
CanvasState.prototype.getMouse = function(e) {
  var element = this.canvas, offsetX = 0, offsetY = 0, mx, my;
  // Compute the total offset
  if (element.offsetParent !== undefined) {
    do {
      offsetX += element.offsetLeft;
      offsetY += element.offsetTop;
    } while ((element = element.offsetParent));

  // Add padding and border style widths to offset
  // Also add the offsets in case there's a position:fixed bar
  offsetX += this.stylePaddingLeft + this.styleBorderLeft + this.htmlLeft;
  offsetY += this.stylePaddingTop + this.styleBorderTop + this.htmlTop;

  mx = e.pageX - offsetX;
  my = e.pageY - offsetY;
  // We return a simple javascript object (a hash) with x and y defined
  return {x: mx, y: my};

At long last

From here its just a few lines to draw some shapes to move around. We make one instance of CanvasState, passing it a reference to the canvas we want to use, then we can add any number of new shapes to it. The code below produces the example at the top of this page:

var s = new CanvasState(document.getElementById('canvas1'));
s.addShape(new Shape(40,40,50,50)); // The default is gray
s.addShape(new Shape(60,140,40,60, 'lightskyblue'));
// Lets make some partially transparent
s.addShape(new Shape(80,150,60,30, 'rgba(127, 255, 212, .5)'));
s.addShape(new Shape(125,80,30,80, 'rgba(245, 222, 179, .7)'));

There are a few little methods I added that are not shown, such as Shape’s method to see if a point is inside its bounds. You can see and download the full demo source here.

Now that we have a basic structure down, it is easy to write code that handles more complex shapes, like paths or images or video. Rotation and scaling these things takes a bit more work, but is quite doable with the Canvas and our selection method is already set up to deal with them.

If you would like to see this code enhanced in future posts (or have any fixes), let me know.

I wrote a book on HTML5, including three chapters on Canvas! Buy it here.

The most amazing thing

I live my life in a state of constant, quiet amazement. Almost everything is impressive to me, from the last book I read to the last soup I ate. I don’t get bored, and am often happy to just sit and think about things, pretty much any thing.

It’s just reached midnight in New Hampshire, and “yesterday” the Galaxy Nexus was released for Verizon in the United States.

I’m sure to lots of people this is just yet-another-android-phone. Or for many its simply an upgrade from one gadget to the next. People will yawn, or fawn, or get on with their lives with or without it. I myself would probably be pleased as Punch with just about any modern smartphone.

Yesterday I bought a Galaxy Nexus, my first smartphone and second-ever cellphone.

Learning to set my alarm for tomorrow morning, I find myself reflecting. I really am completely in awe. Starstruck. I am a computer person, and here is a thing more powerful than most of the computers I have ever owned.

In New Hampshire 4G was rolled out Wednesday or so my coworkers tell me. The data capabilities of the phone are impressive to me, but then again 56k speeds on the phone would not be any less impressive. How could they be?

Somehow I have made it almost to 2012 without owning a GPS or an MP3 player or a pocket camera. It’s not that I’m against them, I just never found much need. Now I have a device with a scope and power so large I cannot believe it is this small.

The age of “wondering why” is over. This is instant portable access to the largest knowledge and communication infrastructure in the world. A rough approximation of the sum of human knowledge is literally carried along in my pocket. I can express and communicate and learn from anywhere. At my desk, in my bed, on the road, in the woods.

How is this not the most amazing thing?

Understanding the HTML5 Canvas image security rules

There’s a common point of confusion regarding when one can use HTML5 Canvas getImageData() and toDataUrl() methods. Certain canvas conditions will cause these methods to throw a security error.

The rules for what one can and cannot do are laid out in the Canvas specification, though the reasoning behind them isn’t so obvious. The most typical violation is when a programmer calls ctx.drawImage() with an image that is from a different domain (than the page that the canvas is on) or an image that is on the local file system. When ctx.drawImage() is used in one of these two ways, the canvas internally sets its origin-clean flag to false.

From the moment a canvas has its origin-clean flag set to false, the getImageData() and toDataUrl() methods will throw security errors. There are a few less common cases where the origin-clean flag will be set to false, you can read about them in the spec here.

The reason for this security is to prevent something called information leakage. To see why this is a security issue, consider the following hypothetical situation:

Say you are on a work network and so you have access to internal, private company sites and your (private!) hard-drive. The private sites might be something like www.internal.myCompany.com and your hard drive would be accessible from urls like file:///C:/SomeOfMyPhotos/.

Now suppose you visited a website with a hidden canvas and while you were browsing the site that canvas was constantly calling drawImage() onto that canvas with urls that it was guessing might exist. These urls would be things like an image on the private subdomain:


Or an image on your hard drive:


The malicious site could keep trying different combinations of private-to-you urls until it found one that was actually a file. Then it would draw it to the canvas. Then it would get the imageData from the canvas and send it off to the server.

Voila! The malicious site owner now has your secret plans and your embarrassing photos, much without your consent.

Now we know that the above scenario is not very probable: In the real world, secret plans are almost always in PNG format whereas embarassing photos are almost universally in JPG format! But it stands that situations like the above could happen and so the security implications of canvas must take this into account.

I wrote a book on HTML5, including three chapters on Canvas! Buy it here.

A transformation class for Canvas to keep track of the transformation matrix

I’m writing a book on HTML5, including Canvas! Click here for more information.

The HTML5 Canvas does not have a method for getting the current transformation matrix. For some applications, keeping track of the current transformation matrix would be a nice feature to have.

I’ve made this easier by creating a simple Transform class for use with Canvas. You can have a look at it here.

It has all of the Canvas equivalents, and can be used alongside canvas to record the matrix state or can be used instead of and then applied to the canvas.

In other words, a start-to-finish use of the Transform would be like this:

var t = new Transform();
var m = t.m;
ctx.setTransform(m[0], m[1], m[2], m[3], m[4], m[5]);

Which will do the exact same thing as this:


Or the shorter:

var t = new Transform();

But of course allow you to keep track of it!

If you wanted, you could easily call the class to take a context and always do the operations when it is called.

Increasing Performance by Caching Paths on HTML5 Canvas

I’m writing a book on HTML5, including Canvas! Click here for more information.

Much of the functionality of Canvas comes from its path drawing functions. Unfortunately for game designers and animators, re-drawing paths over and over can amount to a tangible performance hit. To increase performance, let’s take a look at caching paths as images to avoid redrawing them traditionally.

Paget holmes
Gentlemen waiting for a path to finish rendering

First we need to ensure that caching a path will actually lead to a performance increase. We can devise a simple test for this using JSPerf. We need a path to test, so let’s write something fairly simple.

ctx.strokeStyle = 'red';
ctx.lineWidth = 4;

This does not produce a particularly complex or exciting path:

But it will do.

The thing we want to ponder here is whether redrawing this path, in other words executing every one of the instructions needed to make the path, will be a slower process than if we cached it. We can achieve caching by drawing the path from these instructions only once, to an in-memory canvas, and then using drawImage from our in-memory canvas onto our real canvas to redraw the path.

That isn’t the only way to cache. We could instead draw it to a canvas and then make a PNG out of it, and call drawImage from that PNG instead, but for the sake of making a simpler test we will stick with using an in-memory canvas.

So let us take all of the drawing instructions above and execute them on the in-memory canvas. Then in our draw loop, instead of drawing out the path every time, we simply draw the in-memory canvas to our real canvas:

// can2 is our in-memory canvas
ctx.drawImage(can2, 0, 0);

The test is simple enough. Giving it a go, the results are immediately clear: pre-rendering and using drawImage is more than ten times as fast as drawing the path, even for the relatively simple path used!

The more complex the path, the more time you will save with caching. If you’re using a lot of complex paths to render shapes, such an optimization ought to speed up your draw loop by a great deal. The JSPerf page shows a simple setup if you want to make the test for yourself.

Other considerations

Pre-rendering paths isn’t a magic bullet, there are still a lot of uses for drawing paths constantly in canvas. If you are making a live drawing application, or otherwise constructing dynamic paths and/or moving and animating paths on the fly, then any kind of pre-rendering is going to be nearly pointless or even harmful to performance. After all, what’s the use of drawing something to a separate canvas and drawing that state back to the original canvas if the path changes constantly? You’d need to re-draw the in-memory canvas just as often, so you’d lose all benefit.

It is also worth mentioning that you might want to play around with using PNGs instead of in-memory canvases. Another thing to test is putting multiple paths onto one in-memory canvas versus putting them all in their own separate canvases, effectively making a sprite sheet. From previous tests, it seems that there is a slight advantage to giving each sprite its own png instead of using a single-png (or single in-memory canvas) sprite-sheet, but it wasn’t that big of a difference.

If you do choose to use a sprite sheet, note that there are a lot of decent tools out there for compressing and organizing them, such as Sprite Sheet Packer.

Maybe Google+’s trickle of invites is a wise and calculated move

Friends, HNers, and redditors alike are still complaining that they have yet to be invited to Google+. Initially I thought that Google+ being invite-only was a folly on Google’s part; some silly thing that they didn’t work out beforehand that could be a large blow in its infancy.

But after several days of having Google+ I realized something: Every single day since I’ve had it I have gotten at least some new Google+ notifications, as 4 or 5 more people add me per day.

In other words, a day has yet to go by where Google+ has not reminded me of its existence. A day has yet to go by where I have not wandered over to Goole+ to see whats up with the newcomers.

Instead of signing up, looking around to see what there is to see, then perhaps not logging back in for a week or a month, the trickle of Google+ invites is causing me to go look around at least once a day.

I’m beginning to think that the invites were actually a calculated move to keep the initial users coming back, welcoming their friends as they join and “showing them around” so to speak, all the while adding more activity to Google+.

Instead of creating a flash-mob that might have dispersed after a month or two, Google has created a pilgrimage. Very clever, I think, if intentional.

How you clear your HTML5 Canvas matters

Stop the press! As seen in jsperf, the nightly build of Chrome (14) has optimized the width-setting case and now swings heavily the other way. As with all optimizations, be sure to bench often on the platforms and browser versions you are targeting.

I’m considering writing a small (e-)book on Canvas performance issues, considerations and tips. If you’d be interested in that sort of thing, let me know.

As much as we all like to see dramatic performance increases from clever optimizations, getting the best Canvas performance often means scrutinizing every little place in our code. Today we’ll take a look at how canvases are cleared.

A man’s careful search for his receding hairline

One of the ways that is implicitly endorsed in the spec and often used in people’s apps to clear a canvas is this:

canvas.width = canvas.width;

There is of course another common way to clear the canvas using a context method:

ctx.clearRect(0, 0, canvas.width, canvas.height);

They may seem to do the same thing on the surface, but the end difference between the two methods is large: Setting the canvas width to itself not only clears the canvas, it clears all canvas state. This means it clears the transformation matrix, the current clipping region, and all of the following attributes: strokeStyle, fillStyle, globalAlpha, lineWidth, lineCap, lineJoin, miterLimit, shadowOffsetX, shadowOffsetY, shadowBlur, shadowColor, globalCompositeOperation, font, textAlign, and textBaseline.

Much of the time clearing above doesn’t matter, except maybe the transformation matrix, because canvas programmers tend to set the relevant properties before they redraw each shape anyway.

The performance difference between the two above methods is also large, often an order of magnitude or more. The context’s clearRect method is much faster than setting the canvas width to itself. I have a jsperf page up here where you can see the results per browser.

Curiously, clearRect is faster on every browser except Safari on Windows, where it is the other way around. I can think of a few possible reasons why that might be the case, but I don’t want to speculate out loud. If someone on a Mac could test Safari for me, I’d be interested to know what it benches.

Back to clearRect. Not all is well all the time when using this method. After all, if your canvas context has anything but the identity transform, there’s a good chance you won’t be clearing the entire canvas. This leads some people to end up erroneously using the width-setting method. Additionally, many people want to clear the canvas but keep their transformation matrix the same. Both of these problems can be fixed in one go, so in the interest of completeness, lets see a safer way:

// I have lots of transforms right now
ctx.setTransform(1, 0, 0, 1, 0, 0);
// Will always clear the right space
ctx.clearRect(0, 0, canvas.width, canvas.height);
// Still have my old transforms

Not only does it clear the screen, but it ensures that any existing transformation won’t get in the way, and also allows you to keep that transformation should you need it. If you don’t need the transformation, you can of course remove the calls to save() and restore().

Because of the large performance discrepancy, I tentatively suggest the use of clearRect over setting the canvas width equal to itself, though the canvas width method is still useful for doing a complete reset of the context state. Of course, browser development happens rapidly and you should always test on the browsers and systems you are targeting.